"Aijyou No Hana Saku Ki(愛情の花咲く樹)" Shuki & Aviva The tree that blooms the flower of love, this was a hit in 1973 in Japan.
Shuki & Aviva were from Israel, I think they released only this single in Japan, and I heard they sang in France after that. Shuki composed this song and the very famous Japanese lyricist, Yu Aku(阿久悠) wrote the lyric.
"The Tree that Blooms the Flower of Love"
We met again under the tree with the flower of love in full bloom There was her standing, whom I loved when I was younger Rushing to her side and holding her hands Staring at each other without saying anything Ahhh, her unchanged beauty moved me to tears Ahhh, I still loved her, I just kept telling her that
Both of us still remembered of the season that the flower of love bloomed No matter how many years have passed by Both of us still remembered it We will never part again Holding each other, living together forever Ahhh, her unchanged beauty moved me to tears Ahhh, I still loved her, I just kept telling her that
Ahhh, her unchanged beauty moved me to tears Ahhh, I still loved her, I just kept telling her that
In 1973, vacationing to the foreign countries were still beyond dreams for most of Japanese. In early '70s, Japan achievd to creat the world #2 economy, only second to U.S. Yet still many people, especially in country side, were poor and the exchange rate was $1 = 360 yen now $1 = 90 yen which means $ was four times stronger agains Japanese Yen. But around 1980, it became like $1 = 250 yen So some Japanese started to go abroad. And in mid '80s, it suddenly became like $1 = 125 yen Then, finally average Japanese started to enjoy vacationing in everywhere in the world.
In early '70s, when going abroad was still beyond their dreams for most of Japanse, this kind of song reminded them of a scene of romantic European cinemas, especially French or Italian. And they just dreamed about a romantic fantasy world with beautiful exotic scenaries and beautiful white people.
Yes, this kind of song was a fairytale for Japanese who had to work hard and live boring lives and had a strong yearning for the American & European White glamorous cultures.
Two biggest news in New York of the last week were 1) Yankees' victory 2) Michael Bloomberg got his third term.
I didn't know Yankees's last win at the world series was nine years ago, wow. Actually my career crisis started around the same time. So I really hope to have a positive change in my career as well for the next year. Well, even I know, judging with the current economic situation and the huge media ciris in Japan, that would be very difficult.
Anyway, Yankees victory was of course a happy story for New Yorkers, even though it did not effect anything of my life except some conversations with my Japanese acqauintances about Matsui.
On the other hand, Bloomberg buying the third sheet of the mayor was not a happy story for me at all. First of all, he changed the law that had limited the mayor's terms no more than two. And he spent staggering $100 million for that one, which was $157.27 for each voters, and his opponent spent $13.12 for each voters.
As the matter of fact, He has not recieved any salary from the city since the first time he bought the seat of the mayor 8 yeras ago because he does not need that kind of small money, instead he makes tons of profit by using his status and the power to control this city as a moyor.
Unfortunately many people admire rich people and vote for them. Though I think it is so easy to understand that rich politicians do politics for riches not for others, many people do not get that logic sadly.
He has such a nice persona, a great business man with a nice smile. But nobody can be that rich without manipulations and exploitations. If you think only hard & honest work can take you that high, you are absolutely naive. Yet, apparently too many people are that naive and so easy to be exploited.
When you imagine about the face of the exploiters, you may think a mean face of greedy landlords or something. But the real exploiters exploite those cheap exploiters and they exploit the system of the socirty with a smile of a gentle man. Yes, they are good at manipulating you, aren't you manipulated?
Believe me, in this city, under this ministration, the gap between riches and poors will keep windening. Well, only hope I got out of this election was after that much of spending, the gap between him and his opponent actually widened insead of getting bigger.
Japanese Actors Do Not Look Like Japanese!?? Part1
The other day, I had an argument over this subject on some movie discussion board.
One guy wrote that he thought actors did not look like Japanese when he started to watch Japanese films such as Kurosawa's and Ozu's.
So I stated that actors in Japanese films did not look like Japanese to him because he was not used to seeing nice looking Asian/Japanese as he had not seen them in any American media. For Americans, Asian are not supposed to be good looking. Therefore handsome actors in Japanese film did not look Japanese to this person.
In American media, you do not see many Asians. And when you see them, usually they are very very stereo types. Simply nice lookig Asian men do not exist in American media. Well, a few exceptions maybe. But basically, in American media, Asian men are geeky ugly gumps, And Asian women are exotic play-things who love to serve White men. Casting directors do not chose handsome Asians because they think good looking ones do not look Asians enough.
Here is a good example.
Mashi Oka from the hit TV show "Heroes"
As he hated this accusation about the racism againt Asians in American media, he just did not want to admit it. I understood that. So he started to write about Japanese propaganda films in Korea during pre-war era, which were nothing but ridiculous justifications of Japanese occupation over Korea. I guess he wanted to say that Japanese media could be very bias too.
Anyway, after this argument, I started to wonder if what I wrote to him was right or not.
Just look at some handsome guys in current Japanese media.
Kenji Sakaguchi (Actor)
Hiroshi Abe (Actor)
Tomoya Hase (Actor/Musician)
Takeshi Kaneshiro (Actor)
Kazuki Kitamura (Actor)
Ken Hirai (Singer)
Satoshi Tsumabuki (Actor)
Hidetoshi Nakata (Soccor Player)
With the exception of Nakata, they all have large eyes and tall nose, which are not Asians facial characteristics, even Nakata has a relatively tall nose as an Asian. Does this mean they do not look like Asians? Well, at least I can say the majority of Japanese men do not look like them, that's for sure.
Hmmmmmm......
If I sit by the window of Sturbacks in New York and keep looking outside, people walking down the street, do I see many of those who look like Hollywood Stars? "NOPE!" But at least, I can say many White people do have large eyes and tall nose relative to Asians.
So if the beaty standard of media in Japan is "large eyes and tall nose", probably it came from America or any European countries as most of Japanese do not have them.
City Wide Gentrifications, Who Really Got Benefited?
During '70s, New York city had really detariorated. When I got here, which was in 1983, Alphabet city, which was the east side of Avenue A of Manhattan, East Harlem and South Bronx were like War zones. After so many fire caused by the arson, those areas looked like the bombed-by-the-airraid zones. And many other areas looked so shabby.
In '80s, the city started the gentrifications and in '90s, under the Giuliani ministration, it was really intensified. He had cleaned up Time Square Area completely, where used to be a horrible dump, porn theatres, adult stores and peep show places lined up, whores, pimps & pushers loitered all the time, and so many tourists were mugged violently. Miraculously it turned out to be Disneyland looking area within four years or so. Many other areas' gentrifications followed like 14th street & Union square and Meat market Area.
Over all, New York has become much cleaner and safer, that is definitely great. But besides them, what other aspects of our city lives did they improve? Hmmmm, nothing much. And because of the gentrifications, the rent conditions has become totally out of control, and that has caused the huge price increase on everything.
For the last 20 yeasr, in my area, East Village, the rent has got higher 6-8 times! The price of groceries has, at least, doubled. The subway fare has increased from 50cents to $2.25.
And the minimum pay is still $7, which means, after tax, you bring home less than $1000.
The city let big developers use the public loan with the very low interest. The current mayor, Blomberg, the self-made super rich guy, is seeking for his third term. Today I saw a middle aged, middle class white woman talking on TV, and she said that she believed his business skills would lead this city to the right way.
If you think someone can become that rich only with honest & hard working, you are too naive. And apparently there are too many naive people are living in this city and they will vote for him again. Only the people who know how to manipulate and exploite the system can become rich like Blomberg. And rich poloticians do politics for riches, not for the middle class and the poors. To me, it is such a easy logic, but it seems so many people do not understand and they do admire riches. He will be the mayor again and you will be squeezed out more & more if you are not rich.
Even if I could transform myself to a man I would stick to being a woman For a butterfly who lives in a town of neon lights Those words were too sweet to resist What a fool What a fool I am To be tricked like that This night is too chilly I'm a woman of Shinjuku
How many times did I cry over you? Yet, I was still stuck on you 'Cos I believed someday you would understand me If I kept devoting myself What a fool What a fool I am To be tricked like that This night is too chilly I'm a woman of Shinjuku
Being teary as I dreamed of You Sitting by the lonesome bar counter in late night Even you are the guy who just threw me away like a beer tap What a fool What a fool I am To be tricked like that This night is too chilly I'm a woman of Shinjuku
*Shinjuku is one of the biggest night life districts of Tokyo, and they got tons of bars, cabarets, clubs and many different types of establishments where women provide some sort of sexual services.
"A butterfly who lives in a town of neon lights" means a woman who works in a night life industry, which is called "Mizu Shoubai(水商売 Water Business)." She is most likely a Bar maid or a Bar hostess, or can be a prostitute as well. Generally speaking, women who work in night life districts are considered to be the lowest rank of the society.
This is the first big hit of Keiko Fuji who was a very popular Enka singer in early '70s, and now she is also known to be a mother of very popular J-pop singer, Hikaru Utada. Enka is a traditional Japanese popular song, most of them are sad ballads lamenting over lost love, in which a woman almost always have to endure the egoism of men, the sadness of love-relationship and the hardships of life in general.
When I was a kid, I hated Enka as musically and lyricwise they were too old fashioned for me. Whenever Enka singer appeared on TV, I wished he/she/they would have finished his/her/their song as soon as possible.
But now as I have grown older I can dig this song and understand why Japanese have supported songs like this for a long time even I still do not like Enka much.
After War, Japanese economy recovered in a miraculous pace, and within 30 years, Japan's GNP became #2 in the world, only second to U.S. How could they do that? Everybody was starving and all major cities were burned down to the ruins at the end of War. Well, men who had been educated to be loyal soldiers to their country became a soldier-like workers for their employers, and for the Japanese economy in general. What they had to do was to suppress themselves as a individual and devote themselves to their employers by working harder and longer as they could. And after a long day's work, they went to small bars where women welcomed them to have a couple of drinks and lament over their lives like a beast of burden. Those men loved Enka.
I think the reason that most of Enka songs were about a woman having a hardships was that men were supposed not to cry or even rant about their hardships. When men listened to Enka, they could relate themselves as people with small, insecure, hard and exploited lives. In a traditional male-oriented society like Japan, women were always exploited. Yet, men felt they were exploited too, and unlike women, they even could not cry. Enka provided an emotional outlet for those Japanese men, small soldiers of the economic war. I think I can say Enka was a blues for Japanese until like '80s.
The very first two lines of the lyric of "Shinjuku no Onna",
"Even if I could transform myself to a man I would stick to being a woman"
This means that I do not want to be a man, even though I know a woman have to be exploited and have to endure a hard life in this society, because I still do have a pride as a small human.
This pride was what Japanese called "Iji(意地)." Many Japanese tried to be stuck on this IJI whenver they felt they were overwhelmed by their own lives. And that small pride kept many Japanese alive.
Many Enka singers told their own hardships to their audience. I remember the story I read about Keiko Fuji on the kids' magazine when I was like 10 years old. As she had many siblings and her parents were traveling entertainers, they usually left some rice and some money to kids before they took off to their travel. So kids cooked rice everyday and bought something like croquets from stores near by. However, money always went out before parents came home, and after that kids had to put some soy sauce over rice and that was their meals for the last few days to few weeks.
I remember I gasped when I read this story. My family was not wealthy but still the life like that was unthinkable to me.
As I grew older and have learned one or two of hardships of life, Enka sounds more familier to me now.
What a fool What a fool am I To be tricked like that This night is too chilly For a stray cat like me in New York
Ryoko Yamazaki,山岸涼子, is one of my favorite manga artists, I mean she is really an artist. Though she created so many masterpieces, this particular one left a big impact in me like nothing else. It is called "Yomotsuhirasaka 黄泉比良坂" which means somewhere between this world and the "after death" world.
Not agreeing with her husband on their divorce, a cold-hearted woman was killed by him who wanted to be with other woman.
Because she had died with so much hatered, she could not go to heaven or hell, and her soul is just roaming somewhere between this world and that world.
Suddenly she woke up surrounded by pure darkness and silence, then she realized that she did not have any of her body parts, therefore she could not ask any help, but eventually she started to see something fuzzy, sometimes she hears water is dripping or the sound of winds, sometimes she has glimps of other roaming souls like hers, but they are gone quickly, and most of the time, she is alone, so alone.
I am addicted with internet, spending so much time on my computer. And when I am in this internet world, I feel like my lonely soul roaming around seeking warmth of others, but not able to touch anything or communicate with anyone in the way I really need to do. I am physically alive but still pretty much same as a dead woman whose lonely soul is roaming around forever.
I hop one site to the other, one blog to the other, search something, open up some pages, read a bit, hear a bit, sometimes leave a message or two and move on, keep roaming and still I'm alone.
< Black Lizard > (1968) Starring Akihiro Maruyama(Miwa) Japan's most Famous Drag Queen
Some Gaijins are surprised to see some, not many but more than a few, gay or gayish TV personalities on Japanese TV shows. Some of them are comedians, some are actors/singers, some are commentators, some are critics, some are choreographers, some are flower srrangement artists yes, you see them much more than on American TV shows.
However, this does not mean that they are more liberated than in U.S., not at all.
A few years ago, I was watching Ed Sullivan show on PBS and shocked to see a female impersonator was doing "Judy Garland." Even today, you rarely see any drag queens on a primetime network TV show. Then how could that be possible in '60s before the '70s gay movement?? I was puzzled, but eventually I realized that he was not a drag queen but a female impersonator.
This guy was introduced as a female impersonator, and impersonated Judy Garland, surprisingly he sang well, not lip-synched as today's drag queens. He was a man who had a special skill to impersonate Judy Garland, not supposed to be a drag Queen, therefore his sexuality was not question. That's why he could be on the National network show in '60s.
Despite of the fact that there have been so many protests to improve their situations from gay community throughout '70s to the present day, there are a very few celebrities who came out as gay and a network TV do not have much gay themes shows and they are usually comedies if you find them, like "Will and Grace."
Why are comedies Okay? Because if they are funny, someone you can laugh about, it is easier to accept them than a strong, intelligent and handsome, who can be threatening to a mojority who is White in this society. In other words, you better be a novelty if you like to be accepted by the majority.
Peter aka Shinosuke Ikehata
Easily I can count 13-14 of them, who sell "bing gay" in Japanese showbiz. And all of them are either drag queens or very feminin types I do not say all of them are sell-out but most certainly they are stereo types and that's why they are accepted. They are mosdef novelties, they are not the people who can threaten the Japanese traditional value of family and social structure.
I have to mention that this does not include Onnagata of Kabuki which is a Japanese traditional theatre, where men do female roles. Probably one reason some drag queens can be accepted by Japanese media is that Japan has a long history of gender bending in their showbiz. Yet, asking them about their sexuality has been a big taboo. They can do that as long as their sexuality is not in question.
There are many Japanese male celebrities who got rumores to be gay, and as they are musculine types, they will never come out because they know that would be ends of their career.
Tamasaburo Bando The biggest star of Onnagata, Kabuki's actor who specialized in female roles
In every aspect, well, probably besides issues of recycle, Japanese have a very low awareness on any social issues compared to Americans. And when it comes to a gay issue and a woman's issue, they are more than 30 years behind. Why? Because almost nobody protest about them. I do not say nothing because I do remember some womanlib activities in late '70s in Japan. Also I heard there was some gaylib activity in '90s as well, which probably was inspired by AIDS activism of U.S. However, they faded away eventually just like any American trens Japanese love to immitate.
Carousel Maki She was even in a '70s str8 porn film. Who saw it?, who knows!
In Japan, violent gay bashing does not happen very often, but being gay is something you rather hind in order to fit in. Actually, if you are a gaijin, you are already different because of your skin color, being gay does not add much more, especially Japanese have a stereo type images of the western countries filled with gays, which means they are not going to fall off from their chairs if you tell them you are gay. However, you still better not say about it if you become a teacher, especially in rural areas.
Almost NEET(Not in Education, Employment or Training).
Trying to enjoy seeing how my mental state deteriorates.
Since I do have the other Blog, Probably I will not update this one very frequently.
自己紹介
名前: blue
場所: New York, New York, United States
I love animals, especially cats and Shiba inus. I love flowers too. Not having much reason to live, this depressive solitary nerd is too lazy to die. I think I would become a ghost and keep looking for my cats after my death.
